How to Lose Friends & Alienate People, starring Simon Pegg, Kirsten Dunst and Megan Fox, in cinemas from 3rd October, is loosely based on the autobiographical book by Toby Young. I use the term “loosely” because it is not a carbon copy of the book and, last night, the film-makers made it clear that it was never meant to be.
Screen on the Green, Islington played host to a Preview Screening, followed by Q & A, with Toby Young, Peter Straughan (writer of the screenplay), Robert B. Weide (Director), and Stephen Woolley (Producer).
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The book is “Toby Young’s hilarious account of the five years he spent steadily working his way down the New York food chain, from glossy magazine editor to crash-test dummy for interactive sex toys. But it’s not just a collection of self-deprecating anecdotes. It’s also a seditious attack on the culture of celebrity from inside the belly of the beast. Not since Bonfire of the Vanities has the New York A-list been so mercilessly lampooned – and it all really happened!”
Now before I talk about the film, I should confess that I haven’t read the book. I have seen the one-man play, with Jack Davenport, at the Soho Theatre, but that was a few years ago, so I couldn’t remember all the details. That meant I was watching the film with a rough idea of the story line, but no in-depth knowledge. That said, it soon became apparent to me that names had been changed and the script updated, to mention current celebrities and films, but I didn’t realise the full extent of the differences. As I said at the beginning, the film is loosely based on the book. Obviously, the main character is the same (although he is called Sidney, not Toby, in the film), but some characters have been added or changed, and some events from the book have been missed out. Some names had to be changed for legal reasons.
Robert B. Weide and Stephen Woolley were keen to make it clear that they have not tried to make a copy of the book, and that a copy of the book wouldn’t work on screen. A film will never be an exact copy of a book. Well not unless it is about 6 hours long anyway. Details and events will always be missed out, and even if you did put everything in, and make a really long film, it still wouldn’t be exactly the same. Books and films, by nature, are different. Some films are closer to the books than others and this is one of those that isn’t very close to the book. I think Robert B. Weide and Stephen Woolley are right when they say that a copy of the book wouldn’t work. If the script wasn’t updated to current events, the film would seem really dated. If you are going to update the names and references than it’s already removed from the book, so it is probably better to step further away than be undecided in the middle. Anyway, I’m not going to harp on about the book, especially as I haven’t read it, but people who have read the book should be aware that if they go to the cinema, expecting to see a “true to the book” film, they may be disappointed.
Simon Pegg plays English journalist, Sidney Young, who’s struggling to make it in London, until he is offered his dream job, in New York. He accepts the job and soon realises that dreams are better than reality. The film follows his hilarious mishaps as he tries to progress his career and impress actress Sophie Maes (Megan Fox) and colleague Alison Olsen (Kirsten Dunst).
If I didn’t know that the film was based on real events, I’d say “it’s very funny, although a little unrealistic,” but as most the things actually happened, I’ll have to stick to just saying “it’s very funny”. It is very funny. It’s a romantic comedy, with the emphasis on comedy, and a must for all Simon Pegg fans. The only downside is that Simon Pegg makes his character too lovable, or may that’s just me.
Sidney Young is supposed to be incredibly arrogant at first and mellow as the mishaps add up (well that’s what happens in the play and, I believe, the book anyway), but I kinda liked him all along. He’s one of those characters that keeps screwing up, but is harmless really.
One of the first questions, asked by the audience, in the Q&A afterwards, was directed at Toby Young and asked if he really was “that arrogant,” so perhaps it was just me that didn’t find him very arrogant in the film. Toby himself was very funny and didn’t come across as at all arrogant, but apparently, he really was “that arrogant.”
How to Lose Friends & Alienate People is on general release next week and I recommend seeing it.
Last night’s event was organised by The Script Factory.
Tracey – OwnAFilmCompany.com